The Expressive Photograph

In my teaching, I wish to promote the concept of expressive photographs—photographs that are not just original or appealing in themselves, but that also communicate some subjective thoughts and feelings form the mind of the photographer.

The Implicit Contract

I believe that such an implicit contract in photography exists (or should exist) only in some contexts, and that there is no such contract that applies unequivocally to all photographs, and certainly not to all art.

Casualties of Progress

The following article is based on one originally published in On Landscape Magazine. It is my hope that readers who appreciate high-quality content, hand-picked by photography-savvy editors, and free of advertising, consider subscribing to independent, subscriber-supported publications of this kind. Unfortunately what we call progress is nothing but the invasion of bipeds who do not rest... Continue Reading →

Don’t (Always) Blame Yourself

We recognize that someone has found their voice when their distinctive spiritual or emotional core becomes an inseparable part of their art. Reaching that threshold means letting the concerns and influences of others fall away, so that your own voice is heard clearly. It takes a whole lot of dedication and conviction and hard work... Continue Reading →

Drawing the Line

I recognize that sometimes viewers may assume about my work what lawyers call, "facts not in evidence," namely that I push the boundaries of (to borrow a term from Ansel Adams) "departure from reality" to a greater extent than I actually do.

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