Guy Tal | Photographer, Author
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I don’t know a thing about the rules of composition. I make my own. The subject is very difficult to write about, and perhaps can never be explained in words, since it is so involved in personal experience and growth. Words, "art criticism," and explanations are the curse of today so far as art is... Continue Reading →
If the remission of pain is happiness, then the emergence from distraction is aesthetic bliss. I use these terms loosely, for I am not making an argument but rather attempting to describe the pleasure that comes from recognition or rediscovery of certain essences permanently associated with human life. These essences are restored to our consciousness... Continue Reading →
I would prefer by far to write music which has something fresh to reveal at each new hearing than music which is completely self-evident the first time, and though it may remain pleasing makes no essential contribution thereafter. ~Roger Sessions I love music. My musical taste is diverse, and I almost always have something playing... Continue Reading →
Every instance of stepping outside your comfort zone won't lead to an incredible sense of discovery and liberation. But it may happen when you realize that what you thought was your comfort zone is, in actuality, your compliant zone—where you've learned to behave in ways that you were expected to behave, perhaps by your parents,... Continue Reading →
The danger always exists that our technology will serve as a buffer between us and nature, a block between us and the deeper dimensions of our own experience. Tools and techniques ought to be an extension of consciousness, but they can just as easily be a protection from consciousness. ~Rollo May In his book, The... Continue Reading →
There are no moments. Moments exist in theory alone. To live, to feel, to experience, to think, is to be in a constant state of becoming. It is the dialectic nature of living, and why experiences cannot be contained in moments any more than a movie can be contained in a single frame.